“I came in for Peggy twice,” Jones told The Hollywood Reporter. But Weiner had another part in mind for Jones, even if he hadn’t really written it yet. January Jones auditioned not once but twice for the role of Peggy Olson, which eventually went to Elisabeth Moss. But I didn’t know if it was just going to be a premise, or if we were going to be able to do something like that every week.” 8. Ultimately it was done very much in the pilot the way we continued to do it. “A lot about my vision changed in terms of how the storytelling would be done. “There’s seven years between when I first wrote the pilot, and then writing the second episode,” Weiner explained. In TV Insider’s oral history of the series, Weiner said that nearly a year elapsed between shooting the pilot for Mad Men and its second episode. THE FIRST AND SECOND EPISODES WERE SHOT ONE YEAR APART. Though Mad Men is largely a New York story, all but one episode-the pilot-were shot in Los Angeles. THE PILOT IS THE ONLY EPISODE THAT SHOT IN NEW YORK CITY. “Matt asked Alan Taylor to direct while all his buddies on The Sopranos were on hiatus,” Rob Sorcher, AMC’s former executive VP of programming and production, told TV Insider. “They shot the pilot in 10 days in Queens.” 6. He was able to recruit several of his collaborators on The Sopranos to help. THE PILOT WAS SHOT WHILE THE SOPRANOS WAS ON HIATUS.īecause The Sopranos’s final season was shot in two parts, Weiner took advantage of the hiatus he had to shoot the pilot episode of Mad Men. In 2009, Daniels’ wife even penned a piece for Chicago Magazine about the real-life Don Draper, noting that Weiner “acknowledged that he based his protagonist Don Draper in part on Draper Daniels, whom he called ‘one of the great copy guys.’” 5. DON DRAPER IS BASED ON A REAL PERSON.Īt least parts of Don Draper are based on a real person: Draper Daniels, the legendary Chicago ad man who, while creative head at Leo Burnett, invented the Marlboro Man. Though HBO has never made any official comment about passing on the series, according to a 2009 story in Vanity Fair, both Chase and Weiner told the writer that “HBO indicated it would make Mad Men on the condition that Chase be an executive producer, and Chase said he had further discussion with Weiner about directing the pilot, but despite being ‘very tempted’ by directing, he said no to both propositions, wanting to move away from weekly television.” 4. David Chase thought so, too, and delivered the script for the Mad Men pilot to the network's executives himself. Considering its dark content, HBO seemed like the perfect fit. Before AMC signed on to broadcast Mad Men, Weiner spent some time shopping the script around.
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